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IT'S FOREVER

It's Forever is a traveling contemporary art exhibition that reflects on the deep and often contradictory bond between our society and plastic . A precious, versatile and very useful material, which however loses all positive value the moment it is abandoned in the environment.

 

Plastic is an extraordinary invention: light, resistant, economical, flexible and colorful, it has revolutionized daily life, contributing decisively to industrial and even artistic progress. But its very ability to resist over time raises deeper questions. Plastic materials, in their almost eternal permanence, become ambivalent symbols: on the one hand possibility and transformation, on the other testimony of an inner void and an ecological crisis that concerns us closely.

 

The exhibition, born in 2020 inside the ancient Hospital of the Confraternita dei Battuti in San Vito al Tagliamento (Pordenone), then touched emblematic places such as the Scala del Bovolo in Venice , the Augeo Artspace in Rimini and, finally, the Museo Nazionale Massimo Pallottino in Melfi , where its journey ended. A journey through Italy, in the places of history and culture, to stimulate a collective reflection on a subject that accompanies us — for better or for worse — forever.

IT'S FOREVER - MELFI Microcosms "The encounter with the Rapolla Sarcophagus represented a key event for my research" - says the artist - who has always been attentive to the flow of Time and duration in Space. "The unaltered formal beauty of the stretched out body, of an unknown but familiar woman, immediately made me think of my landscapes, in which the meeting line between the earth and the waters, between the sky and the surfaces of the cities in its metropolitan membranes, in the heights of the mountains and in the vastness of archipelagos and lagoons dominates. The skyline of the profile of Emilia Scaura's body in perpetual rest, represents that border line between the reality of then and the present. The here and now. A contact between the past and today's world that will last forever thanks to art and culture." The citation of the Rapolla sarcophagus begins a new research path for Mara Fabbro: following the long line of light that represents the profile of the body lying stretched out on a bed-temple, the artist travels the border between the Present and the Past and welcomes an infinite universe that subverts the world. The Time Gone, in these works, is light and ethereal: it is present in the absence of the marble sarcophagus that is already a memory; it is present in the void of the transparencies of the polycarbonates that cancel the superfluous, the bas-reliefs, the friezes, the decorations, the niches, and even the people. What has been is in the skies apparently free of clouds, in the lightness of almost nothingness that welcomes the enigma of the unknown, the importance of History. The Present, on the other hand, is embodied in the resin pixels. Numerous and close together or sparse and solitary, these tiles form the new views of today, which looks towards a mosaic future, where every single element becomes a gesture, a movement in a place that transforms into a life to be lived, into a new journey to be undertaken.

IT'S FOREVER - VENICE The Scala del Bovolo, unique in its spiral progression, hosted the Installation The End of the Fish which emphasized the sense of oppression and danger given by the plastic floating on the sea, a constant presence in the Venice of today and always. The installation is a fundamental presence of the exhibition It's Forever: a place saturated with plastic materials and pollutants suffocates Humanity, taking away every vital possibility for the future. The visitor forced to cross the sea of plastic bags with the artist's face distorted by asphyxiation (like a fish) caused by the plastic bag, to be able to access the rooms of the exhibition. Time, which preserves and does not forget, is always present in the artistic practice of Mara Fabbro who directs towards a tomorrow in which the harmony and rhythm of a collective and social breath must be restored.

IT'S FOREVER - TWO FACES Mara Fabbro looks back to the past by collecting cigarette butts, small forgotten remains, scraps of everyday use. She arranges them following designs inspired by nature - such as the traces left by the surf or the movements of microorganisms seen under a microscope - to tell two opposite sides of reality: good and evil, breathing and apnea, cleanliness and dirt. In this work, good and evil are close but unable to communicate. They remain stuck on different points of view, which prevent dialogue and make the damage appear as something inevitable. Mara Fabbro observes this tension and displays it clearly, revealing all its weight and contrast.

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Atelier & Studio

Via Montello 111 - Aviano (PN) Italy

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